Emell Derra Adolphus has more than a decade of writing and journalism experience. He is senior editor of ENR’s Top Lists and Survey Rankings at ENR magazine and frequently contributes stories on technology, climate resiliency, diversity, equity and inclusion.
Johanna Knapschaefer, ENR’s New England Special Correspondent, has been writing about trends in design and construction of buildings, bridges, tunnels and other infrastructure for more than a decade. She also profiles award-winning industry leaders and delves into broader construction issues such as workforce training, worker safety and health, climate change remediation and emerging offshore wind and tidal energy developments. Over the past two decades, her articles have appeared in Architectural Record, BusinessWeek, the Boston Globe, American Banker, Modern Metals, BusinessNH Magazine, Pittsburgh Magazine and many other publications. Johanna is fluent in Japanese, and taught English and academic writing in the Science and Engineering Department of Ritsumeikan University, Kyoto, while living in Japan for eight years.
When not writing, Johanna enjoys mountain climbing, singing and playing her Spanish guitar.
As Nevada correspondent for Engineering News-Record, Doug Puppel covers the state he has called home since 1988. Doug has written about construction and development in Las Vegas and around North America for more than 15 years. He is a past managing editor of Carpenter magazine and a business editor at the Las Vegas Review-Journal. You can reach him on Twitter @DougPuppel.
While laying out the 42 winning images and eight honorable mentions on the following pages, ENR senior art director Scott Hilling says he was struck by “a real visceral sense of mood and emotion conveyed through many of the photos this year. It was palpable. Intense lighting, dramatic shadows and an elevated sense of composition were the keys to achieving this.” As you flip through the pages and focus on each individual photo, Hilling hopes that you will consider perspective—whether that means the viewpoint (literally or figuratively) of the photographer, or your own frame of reference brought to the viewing experience. “Studying a photo and really taking in the entire shot can allow you to see an angle or intended path the photographer wanted to take you down that you might not have seen with just a quick glance,” he says. After considering the photo, he encourages readers to study the caption to see if it changes your point of view. “The caption is integral to having the perspective of the photographer or subject of the shot at the time it was taken,” Hilling contends. “That context can bring a whole new perspective to your interpretation of the shot.”
A sleeker, more comprehensive approach to construction projects
ViewCopyright ©2024. All Rights Reserved BNP Media.
Design, CMS, Hosting & Web Development :: ePublishing